![]() ![]() The Margaret Harford Award for Sustained Excellence in Theatre goes to Center Theatre Group, and the Milton Katselas Award for Career or Special Achievement in Direction, which also includes a cash prize, is being given to Julia Rodriguez-Elliott. Dave Harris' Tambo & Bones and Christine Quintana's Clean/Espejos won The Ted Schmitt Award for the World Premiere of an Outstanding New Play, which includes a cash prize. The honors recognize the best in Los Angeles-area theatre.Īmong this year's winners were Bryan Cranston, who took Lead Performance for his work in Power of Sail at Geffen Playhouse, along with Nija Okoro for her work in Blues for an Alabama Sky at Center Theater Group/Mark Taper Forum Matthew López in the Writing category for The Inheritance at Geffen Playhouse, sharing the category win with Jessica Goldberg for her Babe at Echo Theater Company Anaïs Mitchell, winning Musical Score for Hadestown at Center Theater Group/Ahmanson Theatre and Sonya Tayeh and David Neumann for their choreography for Moulin Rouge! The Musical and Hadestown, respectively.Īs previously announced, the group also named special award honorees. “We’d rather be right opening two months later than wrong opening two months earlier,” Ritchie said, echoing the predicament of arts leaders trying to predict COVID-19 infection rates and the rollout of vaccines.īuoyed by news that vaccines in California were being made available to residents 16 and older this week, the mood at CTG after so many setbacks, Ritchie said, was “anticipatory.” Here’s the latest Ahmanson schedule in chronological order.Winners for the 2023 Los Angeles Drama Critics Circle Awards were revealed April 6, with the group continuing to forgo an in-person ceremony. ![]() In the case of “Oklahoma!,” show producers and CTG decided some time ago that late August might be unrealistically early to come back, so the L.A. Throughout the pandemic, CTG has been planning in three-month increments, Ritchie said, noting the challenging logistics of scheduling touring shows while so many other theaters in the country also were competing for slots on a schedule. The goal for reopening, Ritchie said, is to rehire employees and to ensure a safe return to the theater for staff, artists and guests. Then in November it had to push Aaron Sorkin’s blockbuster adaptation of “To Kill a Mockingbird” out of the season lineup and instead set the August reopening date with “Oklahoma!” - which now will be the season closer rather than its splashy opener.įive shows that were announced pre-pandemic in February 2020 remain on the 54th season schedule: “ Hadestown” and “ Dear Evan Hansen,” which won Tony Awards for best musical in 20, respectively as well as “ Come From Away,” “ The Lehman Trilogy” and “ The Prom,” the last of which is familiar to Netflix viewers who have seen Ryan Murphy’s screen adaptation starring Meryl Streep and James Corden. ![]() Last June, CTG projected it would remain dark through spring 2021. The company’s highly anticipated return has been pushed back several times because of swiftly changing pandemic conditions and shifting health and safety rules. But given scheduling, casting, rehearsing and all the other complexities of theater, not to mention a pandemic that is not entirely over, Center Theatre Group plans to restart not in August with director Daniel Fish’s Tony Award-winning revival of “Rodgers and Hammerstein’s Oklahoma!,” as had been previously announced, but in the holiday season with “A Christmas Carol.” The company is expected to announce Tuesday revised plans for a 2021-22 season that launches later than many theatergoers may expect, especially given California’s recent announcement targeting June 15 for businesses and venues to reopen fully. That’s how long the Ahmanson will have been dark when, if all goes as hoped, Center Theatre Group finally reopens its doors Nov. ![]()
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